Details

Made in England.

Manufactured for Frances Palmer by 1882 Ltd. in historic Stoke-on-Trent, England. The mold for each shape was hand-thrown by Palmer and made in white creamware with a transparent finish “as airy as clouds” as the designer says. Light, simple, but sturdy.

Artist and gardener Frances Palmer has been making ceramics since 1987 as an extension of her printmaking practice. Working out of a Colonial Revival house in Weston, Connecticut, Palmer views her ceramic work as functional art to be used on a daily basis.

Materials

Dimensions

Care

Details

Made in England.

Manufactured for Frances Palmer by 1882 Ltd. in historic Stoke-on-Trent, England. The mold for each shape was hand-thrown by Palmer and made in white creamware with a transparent finish “as airy as clouds” as the designer says. Light, simple, but sturdy.

Artist and gardener Frances Palmer has been making ceramics since 1987 as an extension of her printmaking practice. Working out of a Colonial Revival house in Weston, Connecticut, Palmer views her ceramic work as functional art to be used on a daily basis.

Materials

Dimensions

Care



Artist and gardener Frances Palmer has been making ceramics since 1987 as an extension of her printmaking practice. Her coveted vessels are handmade in her studio, a Colonial Revival house in Weston, Connecticut. Palmer makes each pitcher, bowl, and vase in service of the contents within, be it flower or food, and seeing pieces as functional art to be used on a daily basis.